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Showing posts from April, 2019

Thurs 25th April

Explore the ways in which audiences can use and take pleasure from videogames. Make explicit reference to assassins creed III Liberation. male gaze for female protagonist strong female women gratification targeting minority audiences targeting existing audiences through same typefaces on posters henry jenkins fandom theory of my little pony assassins creed. PS Vita - 2012 - immersion One way in which audiences can take pleasure is through digital incentives. escapism - murder Games being gory can be a gratifying thing in itself. Explore how recent technological changes have shaped Late Night Women's Hour Distributed by BBC Sound Mobile technology Lauren Laverne (mention presenter, participates, hygge episode) scheduling of late night womens hour expects an older audience/more mature smaller audiences. a benefit of digital technology is that is offers audiences the option to view things later. graphic thumbnail of the presenter Social Media presence

Weds 24th April - 2019

Explore how intertextuality creates meaning in the videos the Riptide by Vance Joy and 7 Rings by Ariana Grande. Intertextuality is where one media product creates meaning through referencing another media product. Referential codes are used to: Make a media product relatable, recognisable and to maximise profit Make a clear narrative Audience feels individual when they understand a reference Provoke an audience with tried and tested methods To pay homage to or to criticise the original product 7 Rings notes purple colour fur jackets reference to expensive shoes (red bottoms) - commodity fetishism Vaporwave style cover of 'my favourite things' similar to 'enter the void' hyper referentiality - when a media product references a media product that has reference previous media products. video references asian culture 'Korean/Japanese' video has a range of polysemic representations. heavily sexualised Style over su

Comp 1 Section B Revision - Weds 3rd April

The Times - Broadly right wing - Conservative - Broadsheet - Formal Mode of Address - Owned by News UK (subsidiary of News International) - 417,298 (Print, 2019) - 220,000 (Digital, 2018) - Editor - James Witherow - Founded in 1875 - Sister Paper - The Sunday Times - Compact Format - £1.80 on weekdays - Middle Class older audience Daily Mirror - Broadly left wing - Labour - Tabloid - Casual Mode of Address - Owned by Reach PLC - 587,803 Daily (as of November 2017) - Editor - Alison Phillips - Founded 1903 - Red Top - Sister Paper - Sunday Mirror - Reach PLC also publishes a range of local newspapers (an example of diversification)- Tagline is 'The intelligent tabloid. #madeuthink' Explain how ownership shapes media products. Refer to The Daily Mirror [and The Times] to support your points. Both owned by conglomerates. Times is owned by a much larger organisation. Target audiences Reach PLC caters to their working class target audience through the use of stereotypica

Revision session - April Fools - Newspaper

Comp 1 Section A - Unseen - Compare something new to something previously studied. - Set editions of daily mirror/times. Comp 1 Section B - Newspapers in general - industry & audience To what extent do representations in these newspapers make claims about realism ? COMP 1 A KNEE JERK - Great extent both of these newspapers make explicit claims that representations of issues and events on their front covers are 'real'. PLAN Verisimilitude Re-presentation - where a person, issue is shown again by the producer for ideological purposes. Every media product is bias in favour of the producer ideologies. Representations however, can cause harm to the audience, and in particular the group who are being represented. Context Times - broadsheet - 10th Nov 2016 - News UK (subsidiary of News International) Metro - Free Tabloid - DMG Media Bias by selection Bias by commission Verisimilitude Agenda Fonts D - Define key terms. representation and realism